"Reportoire
tent shows, which began traveling America in the last half of
the 19th century
and continued well into the 20th, brought summer entertainment
to thousands of small
towns in all parts of the country. From 1900 to 1920
tent shows increased in number to form a rather sizable industry.
Development
was interwoven
with many of the popular amusements of the early century
until,
carrying traits and the scars of such diversions as the circus,
moving pictures,
vaudeville, Chautauqua, and touring opera house companies,
the repertoire tent show emerged as a distinct form of rural
theatrics...With the
emergence of hundreds of shows throughout this period,
a rural audience, formerly remote from staged dramas, was created.
Plays
were
written
to satisfy this new body of theatre-goers; and special
emphasis was placed on certain popular themes relating to the small
town
and
the
farm...The use of the canvas portable theatre by repertoire
troupes that had customarily performed indoors created a distinct
type of show business which by 1920 had become well established...(Theatre in
a Tent, W.L. Slout, 1972)."
"All
across the country, traveling companies of actors came to a town
once a year, erected
a huge tent
on a vacant lot somewhere and presented a new and different play
each and every night...The 'legitimate' theater looked down its
nose at
this kind of entertainment and few indeed were the Broadway actors
who would even admit they learned their trade in the tents. But
in the decade before the Great Depression tent repertoire...not
only was
the lustiest but the most robust branch of American theater.
Writing for The New York Times in 1927, Don Carle Gillette,
editor of the show business trade paper Billboard, declared
that 'the canvas playhouses of the country now constitute a more
extensive
business than Broadway and all the rest of the legitimate theater
industry put together'...When hard times hit after 1930, these
shows quickly
disappeared from the scene. The better companies kept operating
for a time, but with the Great Depression there also came the talking
picture
and, soon thereafter, air conditioning...One by the tent shows
dropped by the wayside. Those that the Depression did not get,
World War II
did (The Fabulous Toby & Me, Neil Schaffner, 1968)."
To
experience a true adventure in tent theatre history visit The Theatre
Museum of Repertoire Americana in Mt. Pleasant, Iowa which houses a
unique collection of memorabilia from early American popular entertainment
dating from the 1850s. Theatre
Museum of Repertoire Americana